SAIM or Self Annihilating Inertial Motion is one of the most profound inventions of Evolution. The very existence of SAIM, probably, is the most important reason for supreme efficiency of the highly developed living organisms. More than that, SAIM seemingly is a general law of Universe for every natural motion based phenomenon.
In this article I
describe in general terms how to achieve SAIM and what kind of result we can hope
to get. I wrote it from my personal experience. I don't discuss the technical
results and methods of training, it means that this article isn't dealing with general
form of SAIM trajectory, its dynamics and other technical issues.
When we adapt SAIM in
our training and our everyday life we therefore adapt the universal law of motion,
trust our nature and follow the way of Evolution. Mastery of SAIM means natural
flow of motion, free of unnecessary tensions and forms created by rational
thinking or cultural background.
Trajectory obviously
is one of the most conspicuous features of any movement. But what is a
trajectory of the body movement? Is it trajectory of some specific point of the
body, let's say the tip of index finger? When we hear, for example, that "David
raised his arm" do we understand that it's only about the tip of his index
finger? Definitely these words create the picture of entire arm, from the
shoulder up to the tips of fingers, moving in upward direction. The problem is
that there is an infinite number of ways to do so.
The best and the most
convenient way to describe the movement of the arm is to describe the movement
of the joints from the shoulder to the fingers. In most cases the joints can
perform rotations in one to two planes. There are sagittal, frontal and horizontal
planes. Not less important is a fact that many joints can rotate around their
axis. Usually movements of joints in above mentioned planes have the names of
flexion, extension, abduction, adduction etc. In this article I call all these
movements just by general term "rotation".
For example, the
shoulder can perform arm's rotation up and down in sagittal plane, it's called a
pitch movement. It also can rotate the arm in transversal plane, it's called a
yaw movement. Shoulder can also rotate arm around its axis. It's called a roll
movement.
Elbow can only perform
flexion and extension in sagittal plane. It's a pitch movement.
Wrist can pitch, yaw
and roll.
Therefore, there are
7 degrees of freedom from shoulder to wrist. The palm and fingers provide 23 additional
degrees of freedom.
In most cases joints
combine two or three types of movement. For example, side bending of the neck
vertebra will be naturally accompanied by rotation in the opposite direction.
Therefore, it's impossible to study movements separately in different planes in
order to combine them later. This method will suppress and change natural joints
rotations. Nevertheless, some joints can naturally rotate only in one plane and
such movements can be learnt much easier and faster. Flexion and extension of torso
and head in midsagittal plane is one such example.
Now let's imagine that
David from our example above has to move his index fingertip from point A to
point B and we have to describe him how to move. Obviously, there is endless
number of ways to perform it. It's not only the trajectory of the fingertip,
but also innumerable possibilities for rotations of index finger joints, wrist,
elbow and shoulder in all degrees of freedom of the arm. How much to bend elbow,
how much arise it, how much to roll the shoulder and wrist? When to do these
manipulations? These questions are only the small part of the questions that
performer has to ask himself.
According to the principle
of SAIM David's index fingertip has to move along trajectory connecting points
A and B, while all parts of the arm have to be as relaxed as possible. We have
to try and rotate our arm joints until we will find the most natural combination
providing feeling of maximal relaxation, harmony and comfort.
Therefore, we can
map the space around us pointing each time our index fingertip at the different
points in the space and moving it from one point to another.
This is a first,
preparatory level to master SAIM trajectory. It's called "mapping the
space". In this level we learn how to keep our arm maximally relaxed in
the space. To make a progress at his level we have to be highly attentive and sensitive,
otherwise it will be difficult to feel the differences in the tension when we
change the position of the arm. In most cases the help of the teacher can be
crucial.
At this level and up
to the forth level we stand on one place and don't move our feet.
At the next, second
level we can add some power to accelerate the arm movement using rotation of
the torso. Still we keep the arm as relaxed as possible during all the time. At
this stage we deal with varieties of SAIM trajectories of the relaxed arms. Teacher
can greatly help at this level showing correct general trajectory of the movements
and making corrections.
At the third level
we study the torso and head rotations while constantly keeping in mind that every
movement of the body is a summary of the simultaneous rotations of all different
joints of the torso. At this level we research and master the movements of
three big centers of mass – pelvis, chest and head. It also includes the movements
of loin and neck parts of the back, shoulder blades, shoulders and stomach. This
is a most technically complicated level. It demands considerable work,
attention to the smallest details and highly developed sensitivity.
At the next, forth,
level we combine movements of the torso and head with the movements of the
arms. Mostly third and forth level are learned in parallel.
At the fifth level we
start to move our legs. This level is an analog of the second level.
At the sixth level
we combine movements of the torso, head and legs. This level is parallel to the
forth level.
At the seventh level
we combine movements of the torso and head, arms and legs. At this level we
obtain the motion of the entire body. Mostly the levels five to seven are learned
in parallel with the forth level, but they begin after we achieve good progress
in the arms movements.
After achieving good
level of mastery our movements gradually become SAIM. We experience the feeling
of lightness, the movements are performed just like by themselves, by will and
without any effort. This is a wonderful feeling, feeling of emptiness,
lightness and joy.
Not every movement
can be SAIM. Pushing or pulling, for example, are not SAIM. Nevertheless, even
in these cases the best trajectories are the trajectories of SAIM. There are
the same movements, just with different parameters.
The arms can perform
the most perfect SAIM. Fingers can provide the shortest wave along the SAIM
trajectory of the entire body. Inertial closing of the fist annihilates the
wave running along the arm without to put any additional load on the tendons. This
ability is a unique feather of human arm, providing great advantages to Homo
Sapiens over all other living beings. In sports and especially in Martial Arts the
mastering of SAIM can greatly increase efficiency and create amazing effects.
The punches performed with SAIM can naturally produce loud cracking sound as a
result of tremendous speed.
The knowledge and
remembering of SAIM trajectory and its dynamics is an initial level of study. Then
we can progress to the following levels which are automatization, standardization
and stabilization of the movements. At this stage we reach the level of intuitive
feeling and constant performance of SAIM. This is an eighth, mastery level.
At this level the
mind becomes stable in the feeling of emptiness, lightness and happiness during
the practice. The practice becomes the part of life and the life becomes part
of practice.
This level
accomplishes one circle of the mastery achievement. It also starts the next
circle in the endless process of the pursuit of perfection.
SAIM is an appearance
of the dynamic physical aspect of Sameness, one of the most comprehensive
phenomena of the Universe. Therefore, SAIM can be the gate to the deep and
intuitive comprehension of Sameness and then, finally, of the Oneness of the
Nature.
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